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  1. #11

    Post

    http://boards.theforce.net/message.a...8035&replies=6

    http://www.theforce.net/episode2/index.html#12792


    This appears to be a shot by shot description of Trailer A for AOTC.

    SCENE 1 - FOX LOGO FADES IN:


    2 0 th
    CENTURY
    F O X


    LOGO FADES OUT.
    5-04


    SCENE 2 - LUCASFILM LOGO FADES IN:


    LUCASFILM
    Ltd


    LOGO FADES OUT.
    12-13


    SCENE 3 - EXT. PALACE BALCONY - DAY - FS - 19-YEAR-OLD ANAKIN SKYWALKER STANDS ON A BALCONY WITH HIS BACK TO CAMERA AS CAMERA SLOWLY DOLLIES IN ON HIM. THE BREATHING SOUNDS OF DARTH VADER ARE HEARD. SCENE FADES TO BLACK.
    19-00


    FADE IN:

    SCENE 4 - INT. PRIVATE CHAMBERS - DAY - FS - THE JEDI KNIGHT OBI-WAN KENOBI AND PADMÉ AMIDALA, NOW A SENATOR IN THE GALACTIC REPUBLIC, MEET IN THE MIDDLE OF THE ROOM AND SHAKE HANDS AS THEIR ENTOURAGES GATHER AROUND THEM. ANAKIN IS AMONG OBI-WAN'S ENTOURAGE.

    OBI-WAN
    It's a great pleasure to see you again, milady.
    23-11


    SCENE 5 - MFS - PAST ANAKIN, LFG, TO OBI-WAN AND PADMÉ AS THEY FINISH SHAKING HANDS, THEIR ASSOCIATES STOPPING BEHIND THEM.

    PADMÉ
    It has been far too long, Master Kenobi.
    26-09


    SCENE 6 - MCS - PAST OBI-WAN, LFG, TO PADMÉ AS SHE LOOKS PAST HIM AND SEES O.S. ANAKIN.

    PADMÉ
    Ani?
    28-14

    SCENE 7 - MS - PAST PADMÉ, RFG, TO ANAKIN AND OBI-WAN AS ANAKIN STEPS FORWARD.

    PADMÉ
    My goodness, you've grown!

    ANAKIN
    So have you.
    33-04


    SCENE 8 - MCS - PAST ANAKIN, LFG, TO PADMÉ AS SHE GAZES AT HIM, CAMERA SLOWLY ZOOMING IN ON HER. ONE OF HER ASSOCIATES STANDS IN LBG.

    ANAKIN
    Grown more beautiful, I mean.

    ANAKIN (voice over)
    Just being around her again...
    38-00


    SCENE 9 - EXT. HIGHRISE BALCONY - NIGHT - MFS - OBI-WAN AND ANAKIN STROLL LFG ALONG THE BALCONY AS CAMERA MOVES BACK WITH THEM. THE CITY SKYLINE OF CORUSCANT IS VISIBLE IN BG.

    ANAKIN
    ...is intoxicating.
    40-05


    SCENE 10 - INT. THRONE ROOM - DAY - MCS - CAMERA SLOWLY DOLLIES R AROUND PADMÉ, WHO IS SEATED ON A THRONE.

    OBI-WAN (voice over)
    Be mindful of your thoughts, Anakin.
    42-06


    DISSOLVE TO:

    SCENE 11 - EXT. COURTYARD - DAY - MCS - PADMÉ STANDS IN FRONT OF A VINE-COVERED WALL WITH HER HAIR DOWN.

    OBI-WAN (voice over)
    They betray you. You have made...
    44-08


    DISSOLVE TO:

    SCENE 12 - INT. HALLWAY - DAY - MCS - PADMÉ TURNS TO LOOK RFG.

    OBI-WAN (voice over)
    ...a commitment to the Jedi order. A com-...
    46-13


    SCENE 13 - INT. PRIVATE CHAMBERS - NIGHT - MFS - OBI-WAN AND ANAKIN STROLL THROUGH THE MAIN ROOM FROM THE BALCONY DOOR, CAMERA DOLLYING BACK WITH THEM.

    OBI-WAN
    ...-mitment not easily broken.
    48-14

    SCENE 14 - INT. PADMÉ'S ROOM - DAY - MFS - ANAKIN STANDS UP IN FRONT OF PADMÉ, CAMERA CRANING UP WITH HIM.

    PADMÉ
    Please don't...
    51-03


    SCENE 15 - MCS - PADMÉ LOOKS L AT O.S. ANAKIN, SHAKING HER HEAD.

    PADMÉ
    ...look at me like that.
    53-01


    SCENE 16 - MCS - PAST PADMÉ, RFG, TO ANAKIN, GAZING AT HER.

    ANAKIN
    Why not?
    54-00


    SCENE 17 - MCS - PADMÉ GLARES L AT O.S. ANAKIN.

    PADMÉ
    It makes me feel uncomfortable.

    PADMÉ STARTS TURNING R AND WALKING AWAY.
    56-10


    SCENE 18 - MS - CAMERA DOLLIES IN ON ANAKIN AS HE WATCHES PADMÉ EXIT R.

    ANAKIN
    Sorry, milady.
    62-06


    SCENE 19 - EXT. CORUSCANT - DAY - MLS - AERIAL SHOT - CAMERA SOARS R AMONG THE HIGHRISES AS FLYING CARS ZOOM BY.
    64-02


    SCENE 20 - EXT. MOS ESPA - DAY - FS - PADMÉ AND ANAKIN RIDE R THROUGH THE DESERT TOWN IN A RICKSHAW SPEEDER, WHICH IS PULLED BY A DROID, AS CAMERA DOLLIES WITH THEM. MANY TOWNSPEOPLE WALK PAST THEM.

    PADMÉ (voice over)
    It must be difficult having sworn your life to the Je-...

    THE RICKSHAW COMES TO A STOP.
    69-12


    SCENE 21 - EXT. MOS ESPA - MOMENTS LATER - MS - ANAKIN HELPS PADMÉ DOWN FROM THE RICKSHAW.

    PADMÉ (voice over)
    ...-di, not being able to do the...
    71-06
    SCENE 22 - INT. MOS ESPA CAFE - DAY - MS PADMÉ AND ANAKIN ARE SEATED AT A TABLE. OTHER CAFE PATRONS ARE AT TABLES IN BG.

    PADMÉ
    ...things you like.

    ANAKIN
    Or be with the people that I love?
    75-02


    SCENE 23 - MS - PAST ANAKIN, RFG, TO PADMÉ.

    PADMÉ
    Are you allowed to love? I...
    77-01


    SCENE 24 - MCS - PAST PADMÉ, LFG, TO ANAKIN AS HE SMIRKS.

    PADMÉ
    ...thought that was forbidden for a Jedi.
    79-07


    SCENE 25 - EXT. WATERSIDE PALACE - DAY - FS - ANAKIN HELPS PADMÉ OUT OF A GONDOLA SPEEDER ONTO A DOCK OF THE PALACE.
    81-00


    DISSOLVE TO:

    SCENE 26 - EXT. TERRACE - DAY - FS - ANAKIN AND PADMÉ STROLL R ALONG THE TERRACE, CAMERA DOLLYING WITH THEM.
    83-04


    DISSOLVE TO:

    SCENE 27 - EXT. TERRACE - LATER - FS - ANAKIN AND PADMÉ STAND AT THE RAILING, LOOKING OUT OVER A FJORD.
    85-05


    SCENE 28 - MCS - PAST PADMÉ, RFG, TO ANAKIN AS HE GAZES AT HER.
    86-12


    SCENE 29 - MCS - PAST ANAKIN, LFG, TO PADMÉ GAZING BACK AT HIM.
    88-12


    SCENE 30 - MS - ANAKIN STARTS TO KISS PADMÉ.
    90-08


    SCENE 31 - MCS - PAST ANAKIN TO PADMÉ AS THEY KISS PASSIONATELY.
    94-00


    DISSOLVE TO:

    SCENE 32 - EXT. WATERFALL MEADOW - DAY - MLS - ANAKIN AND PADMÉ ARE PICNICKING IN THE GRASS BEFORE A SPECTACULAR SET OF WATERFALLS.

    PADMÉ
    (laughing) You're making...
    96-04


    SCENE 33 - MCS - PAST ANAKIN, LFG, TO PADMÉ, GRINNING.

    PADMÉ
    ...fun of me.

    ANAKIN (overlapping)
    Mm, no, no.
    98-03


    SCENE 34 - MCS - PAST PADMÉ, TIPPED IN RFG, TO ANAKIN, GRINNING AND SHAKING HIS HEAD.

    ANAKIN
    (chuckling) I'd be much too frightened to tease a senator.

    ANAKIN LEANS L AND LOWERS HIS HEAD, LAUGHING, AS CAMERA PANS WITH HIM, OFF PADMÉ.

    PADMÉ (off) & ANAKIN (on)
    (laugh - continues under following scene)
    102-11


    SCENE 35 - MCS - PAST ANAKIN, LFG, TO PADMÉ AS SHE LAUGHS AND GAZES AT HIM.
    104-08


    SCENE 36 - INT. BEDROOM - NIGHT - MS - ANAKIN STANDS IN FRONT OF DRAPES AND COLUMNS, LOOKING LFG AT O.S. PADMÉ.

    ANAKIN
    We could keep it a secret.
    106-11


    SCENE 37 - MS - PAST ANAKIN, RFG, TO PADMÉ, WHO IS STANDING IN FRONT OF A FIREPLACE.

    PADMÉ
    We'd be living a lie.
    108-09


    SCENE 38 - MCS - PAST ANAKIN, RFG, TO PADMÉ.

    PADMÉ
    I couldn't do that.
    110-02

    SCENE 39 - MCS - ANAKIN LOOKS DOWN SULLENLY.

    PADMÉ (off)
    Could you, Anakin?

    ANAKIN LIFTS HIS GAZE AND STARES LFG AT O.S. PADMÉ.

    OBI-WAN (voice over)
    She's a...
    113-06


    SCENE 40 - EXT. GRAND CORRIDOR - DAY - MS - PADMÉ AND ANAKIN STROLL ALONG THE BROAD OUTDOOR CORRIDOR OF A PALACE, GAZING AT EACH OTHER, AS CAMERA DOLLIES BACK WITH THEM. R2-D2 [ARTOO DETOO] IS FOLLOWING IN BG.

    OBI-WAN (voice over)
    ...politician, and they're not to be trusted.
    115-11


    SCENE 41 - INT. HALLWAY - NIGHT - MCS - PAST OBI-WAN, LFG, TO ANAKIN.

    ANAKIN
    I've heard this lesson before.
    117-10


    SCENE 42 - MCS - PAST ANAKIN, RFG, TO OBI-WAN.

    OBI-WAN
    You haven't learned anything, Anakin.
    120-08


    SCENE 43 - INT. JUNK SHOP - DAY - MCS - ANAKIN SHOUTS ANGRILY.

    ANAKIN
    It's all Obi-Wan's fault!
    122-12


    SCENE 44 - FS - ANAKIN AND PADMÉ STAND ON EITHER SIDE OF THE JUNK SHOP AS ANAKIN THROWS A TANTRUM.

    ANAKIN
    He's holding me back!

    ANAKIN HURLS SOMETHING AGAINST A WALL IN BG.
    124-11


    SCENE 45 - MFS - PAST ANAKIN, LFG, TO PADMÉ STANDING ON THE OTHER SIDE OF THE ROOM IN BG.

    PADMÉ
    You're not all-powerful, Ani.

    ANAKIN
    (sniffling) Well, I should be!
    128-00

    SCENE 46 - EXT. TATOOINE DESERT - SUNSET - MFS - ANAKIN DRIVES A SPEEDER BIKE L PAST LARGE ROCK FORMATIONS, CAMERA MOVING WITH HIM TO REVEAL THE SUN SETTING ON THE HORIZON IN BG.

    ANAKIN (voice over)
    Someday I will be the most powerful Jedi ever.
    134-13


    SCENE 47 - EXT. CORUSCANT - NIGHT - MLS - AERIAL SHOT - A SMALL SPACECRAFT SOARS ABOVE THE GLASS TUBES THAT CONNECT THE VARIOUS HIGHRISES AS CAMERA MOVES BACK AND PANS R WITH IT.
    139-01


    SCENE 48 - EXT. DESERT - DAY - MCS - ARTOO LOOKS BACK AND FORTH.
    140-05


    SCENE 49 - EXT. MOS ESPA ALCOVE - DAY - MFS - PAST ANAKIN'S TORSO, RFG, TO THE ALIEN JUNK DEALER WATTO AS HE FLAPS HIS WINGS AND RISES UP INTO THE AIR, CAMERA TILTING UP WITH HIM.
    141-01


    SCENE 50 - MFS - WATTO HOVERS BEFORE ANAKIN AND PADMÉ.
    142-00


    SCENE 51 - EXT. PLANET - NIGHT - MLS - HORDES OF CLONE TROOPERS MARCH R UP A RAMP INTO A GIANT TROOP TRANSPORT VEHICLE. OTHER SPACECRAFT HOVER IN BG.
    143-06


    SCENE 52 - EXT. LANDING PAD - NIGHT - MS - A CLONE TROOPER IN A MASKED HELMET TURNS IN THE POURING RAIN TO FACE O.S. OBI-WAN.
    144-03


    SCENE 53 - FS - PAST THE CLONE TROOPER, RFG, TO OBI-WAN AS HE COMES DOWN A RAMP FROM A SPACECRAFT, WIELDING A LIGHTSABER. OBI-WAN AND THE TROOPER MOVE R, PREPARING TO FIGHT, AS CAMERA DOLLIES WITH THEM.
    145-11


    SCENE 54 - EXT. DESERT - EVENING - MLS - TWO SILHOUETTED FIGURES STAND BESIDE A SPEEDER BIKE AND LOOK UP AT A LINE OF TROOP TRANSPORT VEHICLES.
    146-15


    SCENE 55 - EXT. DESERT - DAY - MCS - C-3PO [SEE-THREEPIO] TURNS TO FACE RFG.
    148-03

    SCENE 56 - EXT. OUTER SPACE - DAY - LS - SEVERAL FIGHTER SPACESHIPS ENTER LOWER FRAME AND ZOOM UP TOWARD THE CURVATURE OF A PLANET, CAMERA TILTING UP WITH THEM.
    152-13


    SCENE 57 - INT. CAVE - DAY - MFS - OBI-WAN, STANDING IN A SHAFT OF LIGHT, TURNS TO FACE LFG.
    154-03


    SCENE 58 - EXT. OCEAN PLANET - NIGHT - MLS - A LARGE WINGED CREATURE FLIES R PAST A CITY THAT RISES ABOVE THE VIOLENT SEAS AS CAMERA PANS WITH IT. RAIN IS POURING DOWN.
    156-15


    SCENE 59 - EXT. TATOOINE - DAY - MS - PADMÉ WALKS L UP A DUNE AND TURNS TO LOOK RFG AT O.S. ANAKIN.
    158-09


    SCENE 60 - MCS - ANAKIN WALKS R AND TURNS TO LOOK LFG AT O.S. PADMÉ.
    160-03


    SCENE 61 - INT. JEDI TEMPLE - DAY - MCS - YODA TURNS TO LOOK RFG.
    161-11


    SCENE 62 - INT. BEDROOM - NIGHT - MS - THE SHADOWS OF O.S. PADMÉ AND O.S. ANAKIN ARE VISIBLE ON A WALL AS THEY EMBRACE AND START TO KISS.
    163-15


    SCENE 63 - INT. PALACE - NIGHT - MS - A RENEGADE JEDI KNIGHT NAMED COUNT DOOKU RAISES A LIGHTSABER INTO FRAME.
    164-11


    SCENE 64 - EXT. CORUSCANT - NIGHT - FS - ANAKIN WHIZZES RBG AMONG THE HIGHRISES, HANGING FROM A FLYING ORB, AS CAMERA PANS WITH HIM INTO LS.
    165-09


    SCENE 65 - MFS - CAMERA MOVES BACK WITH ANAKIN AS HE SOARS AMONG THE HIGHRISES, HANGING FROM THE FLYING ORB.
    166-04


    SCENE 66 - EXT. LANDING PAD - NIGHT - MFS - LOW ANGLE - OBI-WAN DROPS DOWN FROM THE SKY AS RAIN POURS DOWN.
    166-15


    SCENE 67 - MFS - PAST OBI-WAN, WHO DROPS ONTO THE LANDING PAD AND FALLS BACK INTO RFG, TO THE CLONE TROOPER PREPARING TO ATTACK HIM.
    168-00
    SCENE 68 - INT. CAVE - NIGHT - MS - PAST A HOODED FIGURE, LFG, TO OBI-WAN AS HE SPINS AROUND, WIELDING A LIGHTSABER.
    169-00


    SCENE 69 - EXT. TATOOINE - EVENING - MLS - A SPACECRAFT MOVES RAPIDLY AWAY FROM CAMERA TO REVEAL ROCKY CLIFFS IN BG.
    169-13


    SCENE 70 - EXT. CORUSCANT - NIGHT - MS - LOOKING OVER A SOARING SPACECRAFT AS IT WHIZZES BETWEEN HIGHRISES AND TILTS TO ONE SIDE. OTHER SPACECRAFT SPEED PAST IT. ANAKIN IS HANGING FROM A WING OF THE SPACECRAFT.
    170-12


    SCENE 71 - FS - HIGH ANGLE - LOOKING STRAIGHT DOWN AT ANAKIN HANGING FROM A WING OF THE SPACECRAFT.
    171-07


    SCENE 72 - EXT. LANDING PAD - NIGHT - MFS - THE CLONE TROOPER RISES UP INTO THE AIR, SHOOTING LASERS DOWN AT O.S. OBI-WAN, AS CAMERA TILTS UP WITH HIM.
    172-03


    SCENE 73 - MFS - OBI-WAN SOMERSAULTS L TO AVOID THE LASER BLASTS.
    172-13


    SCENE 74 - INT. TUNNEL - DAY - MCS - PAST PADMÉ, RFG, TO ANAKIN AS THEY SLOWLY MOVE TOWARD EACH OTHER FOR A KISS.
    173-10


    SCENE 75 - MCS - PAST ANAKIN, LFG, TO PADMÉ MOVING TOWARD HIM.
    174-07


    SCENE 76 - MFS - CAMERA FOLLOWS ANAKIN AND PADMÉ AS THEY RIDE OUT OF THE TUNNEL ON A DROID-PILOTED HOVERCRAFT, EMERGING INTO A LARGE OUTDOOR ARENA.
    175-09


    SCENE 77 - EXT. OUTER SPACE - DAY - FS - A SMALL SPACECRAFT ENTERS R AND SPEEDS LBG AS CAMERA PANS WITH IT TO REVEAL THE RINGED PLANET IT IS HEADED TOWARD.
    176-05


    SCENE 78 - EXT. HIGHRISE BALCONY - DAY - MFS - SENATOR PALPATINE TURNS TO FACE LFG. THE CITY SKYLINE IS VISIBLE BEHIND HIM IN BG.
    177-05


    SCENE 79 - EXT. ASTEROID BELT - FS - A SMALL SPACECRAFT IS PURSUED LFG BY A LARGER SPACECRAFT AS THEY TRAVEL THROUGH AN ASTEROID BELT, CAMERA PANNING WITH THEM.
    178-06

    SCENE 80 - INT. COCKPIT - MCS - OBI-WAN PILOTS THE SMALL SPACECRAFT.
    179-05


    SCENE 81 - INT. CAVE - NIGHT - FS - PAST A HOODED FIGURE TO ANAKIN AS THEY FIGHT WITH LIGHTSABERS IN FRONT OF A DOCKED SPACECRAFT.
    179-15


    SCENE 82 - MCS - PAST THE SWINGING LIGHTSABERS TO ANAKIN.
    180-09


    SCENE 83 - EXT. ASTEROID BELT - LS - THE LARGER SPACECRAFT SPEEDS DIRECTLY AT CAMERA, FIRING LASERS AT THE O.S. SMALLER SPACECRAFT.
    181-13


    SCENE 84 - INT. CAVE - NIGHT - MS - CAMERA MOVES IN ON ANAKIN AS THE HOODED FIGURE ENTERS RFG, LUNGING AT HIM. ANAKIN SWINGS HIS LIGHTSABER AT THE FIGURE AND STRIKES CAMERA.
    182-13


    SCENE 85 - BLACK BG - TITLE (B) APPEARS FROM A FLASH OF LIGHT AND ZOOMS FG, HOLDING AS TITLES (A) AND (C) FADE IN AND BLUR INTO FOCUS TO FORM MAIN TITLE:


    A)STAR WARS™
    B)E P I S O D E I I

    C)ATTACK OF THE CLONES

    SCENE 85 - (CONTINUED)

    MAIN TITLE CUTS TO CREDIT BLOCK:











    Starring
    EWAN McGREGOR · NATALIE PORTMAN · HAYDEN CHRISTENSEN
    IAN McDIARMID · SAMUEL L. JACKSON · CHRISTOPHER LEE
    Co-starring ANTHONY DANIELS · KENNY BAKER · FRANK OZ
    Music by JOHN WILLIAMS Produced by RICK McCALLUM
    Written by GEORGE LUCAS and JONATHAN HALES
    Directed by GEORGE LUCAS
    A Lucasfilm Ltd. Production - A Twentieth Century Fox Release
    ©Lucasfilm Ltd. & TM. All rights reserved.
    Property of Lucasfilm. Promotional use only. Sale, duplication or other transfer of this material is strictly prohibited.
    www.starwars.com


    CREDIT BLOCK FADES OUT, THEN TITLE FADES IN:


    THE SAGA CONTINUES

    M A Y 2 0 0 2


    TITLE FADES OUT.
    199-15


    EXHIBITION FOOTAGE: 188-00



    END OF TRAILER


    We should be able to see how accurate this is in a little over 2 weeks.
    Last edited by Jedi Clint; 10-24-2001 at 03:13 PM.
    ubi mel ibi apes

  2. #12
    Registered Eternal Padawan's Avatar
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    Yipee!!
    Who's a sexy kitty? Who is? Yes, you are. You're a SEXY kitty...

    PHONE BOOK Written by Bendis. Art by Jim Lee. Total copies sold: 15 billion.

    "Comic Collecting. Miss a decade, miss a lot."

  3. #13
    WOW...IT MEAN...WOW!!!!
    The Force is strong with this one.

    Of course, that's my opinion I could be wrong.

  4. #14
    If this is accurate, then it makes me think that the clones look more like Jango than previous reports said. There are many references to Kenobi vs. Jango in the rain, but the viewer always calls Jango "Clone Trooper".
    ubi mel ibi apes

  5. #15
    There's a lot of head turning going on in episode two then isn't there?

    Actually,my only thoughts apart from being gobsmacked into silence for about ten minutes were how long that all seems to be. I know a trailer is usually just about a couple of minutes but that seems to be longer. All those pans and dolly shots, all very intriguing. So it looks like the Thranta are on Kamino then:

    SCENE 58 - EXT. OCEAN PLANET - NIGHT - MLS - A LARGE WINGED CREATURE FLIES R PAST A CITY THAT RISES ABOVE THE VIOLENT SEAS AS CAMERA PANS WITH IT. RAIN IS POURING DOWN.
    I'm going to be happy if the clone trooper armies look like Jango. That would make them Mandalorian then? Confusing.

    Couldn't care less about the love story but things are starting to make sense... if this is accurate.....

  6. #16
    Anyone seen Doug Chiang's personal website? All his ROBOTA stuff that seems made up of rejected ep1 and ep2 designs like this floating water city... Kamino?

    Looks suspiciously like a cloud city type of design to me.

  7. #17

    Smile

    Ah yes, the "flying whales". I had a hard time trying to imagine such creatures being indigenous to Geonosis as it was described as a waste land. I'm glad that they turned out to be from the water planet.
    ubi mel ibi apes

  8. #18
    Attention everyone...if yo go to www.aintitcoolnews.com there is a post on the description of the Episode 2 trailer. Supposedly someone saw an advance screening to Monsters inc. and the trailer was attached to it.
    "Luke, join the dark side, it's so wizard!"

  9. #19
    1. First like one person reported earlier. Anakin is carrying a Green Lightsaber in one scene in a cave like hallway with Obiwan by his side. I think that they are on Genosis planet at the end of the film.

    2. Yoda shot of him turning towards the camera was very well done, especially since it was a CG Yoda. The hair moved very well on his face. Good job ILM.

    3. Probably the most interesting shot out of all of them is this shot of Obiwan being hung up in the air with a blue force field around him. There was also some lightning electricity at the bottom of this force field. So somebody is keeping a jedi at bay with a force field. Some have said it looked like a hologram but it is not.

    4. A shot straight out of THX 1138 with Boba Fett and the young clones all sitting at computer monitors doing lessons. They have like a neon blue color in that shot.

    5. Slave I coming at you shooting all it's weapons in the asteroid field.

    6. The last shots come straight out of a pic we have of Anakin dueling with Dooku at the end. The low angle shot of one of the last select pics we ever got. There is about 4 seconds worth of quick cutting. Then those shots we have at the documentary of Anakin in a black room with the blue glow of his lightsaber on his face. Then fade to the title.

    Plus during all these shots you hear Vader Breathing, and you hear a single drum beat which was in TPM scenes at the end with Obiwan getting ready to fight Darth Maul. That is the only sound during the whole trailer until the end with lightsabers.

    From TheForce.Net
    The Force is strong with this one.

    Of course, that's my opinion I could be wrong.

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